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Everyone Lies and Misspells



  • My reading habits have not changed. I read a paperback of some kind of pulp fiction, then alternate with some kind of film production book, whether it be a picture based Behind the Scenes, an Illustrated Screenplay, or a text based Making Of. I just finished one of the very few brand new books I bought, as I am addicted to Half Priced Books. I can’t even drive past a Half Priced Books without losing money and getting no less than 3 books. I just finished reading HOUSE the Official Guide.




    Usually these “official guides” are not great. They tend to be fluff that just rehash moments from the scripts or worse have the producers and actors play a game of “State the Obvious” where they rehash what should be clear about their characters motivations. I hate those. This book managed the impossible and was a delicate balance, weighted in the production side, with some fluff, but not too much.

    I loved reading about the various department heads and “Below the Line” crew and how they contribute to the whole of creating a TV series. Over 10 years ago, before I ever thought of doing filmmaking, I bought a similar book that strange as it sounds, taught me some of the best knowledge EVER about television production. The MAKING OF DEEP SPACE NINE, the Star Trek series had information on how a pilot works, how residuals work for SAG actors, the process of a “show runner” and how writers go from Executive Story Consultant to Executive Producer and what all that means. Learning that a TV Producer is more akin to a feature film director was an eye opener. Directing TV is not the same thing as directing a movie. There is NO AUTONOMY; it is such a team effort.

    I feel much better about my book TALES FROM THE FRONT LINE OF INDIE FILM because there are more grammatical errors in the HOUSE book and that’s published by a big company.

    Next in my film book queue is THE MAKING OF 1941, a period 1980 book on the Spielberg flop, that I sentimentally love.