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Mitigating Impatience



  • Still tinkering with the FX work on the re-do of BITTER OLD MAN. I indulged by obsessive-compulsive side quite a bit, working until past 11:00PM after work tweaking and experimenting. The thing about FX work is that you need to try things out, audition them in real time, which means a long “render” then look at it in context. This means tinkering, then waiting 20 minutes to see if it works, and then go back and adjust settings minutely.

    I do not have the matte paintings yet, so in my impatience, I created some temporary ones. That way I could audition some virtual camera moves, particle effects, and blurs. I’m very happy with the things I’ve made so far and the overall “look” is achieved, but without the final artwork and style.

    When I put the current drafts against the original shots; I feel ashamed for what I did 10 years ago. I learned so much in the last 10 years about not only FX in a practical sense of HOW to do it, but my interest in a style and framing are much better. I’m sure there are other directors who are much more visual than me and would even direct this in ways I cannot conceive, but alas, I am me and hot them.

    I’m thinking of abandoning the 5.1 surround mix. Already this project has taken a great deal more of my time than I anticipated. I do not want to spend this much time in my past with old works. I want to move forward, move the new works forward. I have added some new sound, tweaked the overall edit, and remastered a lot of the sound as it was. The cleanup of 10 year old audio is easier now, but not easy. Some all new audio effects have been applied and a new score added to the end section too.

    On my plate exists another project shot months ago that I have not edited myself since the assistant editor did a pass. I need to get to that too. Moreover, that is a new piece and has a stellar look, so it represents my more current cinematic aesthetics.

    As for OPENFILM.COM and the GET IT MADE CONTEST 2, I still have no word. I have no doubt getting James Caan, Robert Duvall, Mark Rydell, and Scott Caan even on the phone together at the same time is a scheduling nightmare. No one is handing out $500,000 without a great deal of consideration. I do not think ACCIDENTAL ART will win, though. The competition and bar is pretty high. Most of the other entries are substantially longer, and I chose to go short and sweet. Also, I represented myself as more of a professional, someone who has made a feature film in distribution already. Some of the other entries went with the “never made a feature, have never worked with a budget” which may be more of what they want to have win the chance to do so.

    But then again, no one really knows or could know what they might think or decide? Let’s just say, I’m moving on because I don’t think I have the kind of luck to win this kind of opportunity.

    Maybe I’m obsessing over Bitter Old Man Redux to keep from thinking about the contest….